Poetry in Motion

[Cupke_pe_Korce]

If I could tell you...

Time will say nothing but I told you so,
Time only knows the price we have to pay;
If I could tell you I would let you know.

If we should weep when clowns put on their show,
If we should stumble when musicians play,
Time will say nothing but I told you so.

There are no fortunes to be told, although,
Because I love you more than I can say,
If I could tell you I would let you know.

The winds must come from somewhere when they blow,
There must be reasons why the leaves decay;
Time will say nothing but I told you so.

Perhaps the roses really want to grow,
The vision seriously intends to stay;
If I could tell you I would let you know.

Suppose the lions all get up and go,
And all the brooks and soldiers run away?
Will time say nothing but I told you so?
If I could tell you I would let you know.

(W. H. Auden)

[Cupke_pe_Korce]

...kjo me poshte eshte nga me te bukurat qe kam lexuar:

Ode to Autumn - Thomas Hood (1799–1845)

I
I SAW old Autumn in the misty morn
Stand shadowless, like silence, listening
To silence, for no lonely bird would sing
Into his hollow ear from woods forlorn,
Nor lowly hedge nor solitary thorn;— 5
Shaking his languid locks all dewy bright
With tangled gossamer that fell by night,
Pearling his coronet of golden corn.

II
Where are the songs of Summer?—With the sun,
Oping the dusky eyelids of the south, 10
Till shade and silence waken up as one,
And Morning sings with a warm odorous mouth.
Where are the merry birds?—Away, away,
On panting wings through the inclement skies,
Lest owls should prey 15
Undazzled at noon-day,
And tear with horny beak their lustrous eyes.

III
Where are the blooms of Summer?—In the west,
Blushing their last to the last sunny hours,
When the mild Eve by sudden Night is prest 20
Like tearful Prosperpine, snatch’d from her flow’rs
To a most gloomy breast.
Where is the pride of Summer,—the green prime,—
The many, many leaves all twinkling?—Three
On the moss’d elm; three on the naked lime 25
Trembling,—and one upon the old oak tree!
Where is the Dryad’s immortality?—
Gone into mournful cypress and dark yew,
Or wearing the long gloomy Winter through
In the smooth holly’s green eternity. 30

IV
The squirrel gloats on his accomplish’d hoard,
The ants have brimm’d their garners with ripe grain,
And honey bees have stor’d
The sweets of Summer in their luscious cells;
The swallows all have wing’d across the main; 35
But here the Autumn melancholy dwells,
And sighs her tearful spells
Amongst the sunless shadows of the plain,
Alone, alone,
Upon a mossy stone, 40
She sits and reckons up the dead and gone
With the last leaves for a love-rosary,
Whilst all the wither’d world looks drearily,
Like a dim picture of the drowned past
In the hush’d mind’s mysterious far away, 45
Doubtful what ghostly thing will steal the last
Into that distance, gray upon the gray.

V
O go and sit with her, and be o’ershaded
Under the languid downfall of her hair:
She wears a coronal of flowers faded 50
Upon her forehead, and a face of care;—
There is enough of winter’d everywhere
To make her bower,—and enough of gloom;
There is enough of sadness to invite,
If only for the rose that died,—whose doom 55
Is Beauty’s,—she that with living bloom
Of conscious cheeks most beautifies the light;—
There is enough of sorrowing, and quite
Enough of bitter fruits the earth doth bear,—
Enough of chilly droppings for her bowl; 60
Enough of fear and shadowy despair,
To frame her cloudy prison for the soul!

[Cupke_pe_Korce]

Robert Frost, nje nga poetet me te dashur te New England, ka dhene imazhe te mrekullueshme stinesh, por edhe poezi te ndjeshme si kjo me poshte:

The Road Not Taken

TWO roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveler, long I stood
And looked down one as far as I could
To where it bent in the undergrowth;

Then took the other, as just as fair,
And having perhaps the better claim,
Because it was grassy and wanted wear;
Though as for that the passing there
Had worn them really about the same,

And both that morning equally lay
In leaves no step had trodden black.
Oh, I kept the first for another day!
Yet knowing how way leads on to way,
I doubted if I should ever come back.

I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I—
I took the one less traveled by,
And that has made all the difference.

[Cupke_pe_Korce]

e.e.cummings e pati vleresuar mjaft poezine e Frost, edhe pse shpeshhere i eshte dukur pa intensitet. Sa e vertete eshte kjo, veshtire te thuhet, e megjithate:

A Wind Has Blown The Rain Away And Blown - e.e.cummings


a wind has blown the rain away and blown
the sky away and all the leaves away,
and the trees stand. I think i too have known
autumn too long

(and what have you to say,
wind wind wind—did you love somebody
and have you the petal of somewhere in your heart
pinched from dumb summer?
O crazy daddy
of death dance cruelly for us and start

the last leaf whirling in the final brain
of air!)Let us as we have seen see
doom’s integration………a wind has blown the rain

away and the leaves and the sky and the
trees stand:
the trees stand. The trees,
suddenly wait against the moon’s face.

[Cupke_pe_Korce]

robin hood - maine
nga e.e.cummings

ps. ju nxiva po ma hoqet pikturen :p :D

[Cupke_pe_Korce]

Blue
(May Swenson)

Blue, but you are Rose, too,
and buttermilk, but with blood
dots showing through.
A little salty your white
nape boy-wide. Glinting hairs
shoot back of your ears' Rose
that tongues like to feel
the maze of, slip into the funnel,
tell a thunder-whisper to.
When I kiss, your eyes' straight
lashes down crisp go like doll's
blond straws. Glazed iris Roses,
your lids unclose to Blue-ringed
targets, their dark sheen-spokes
almost green. I sink in Blue-
black Rose-heart holes until you
blink. Pink lips, the serrate
folds taste smooth, and Rosehip-
round, the center bud I suck.
I milknip your two Blue-skeined
blown Rose beauties, too, to sniff
their berries' blood, up stiff
pink tips. You're white in
patches, only mostly Rose,
buckskin and saltly, speckled
like a sky. I love your spots,
your white neck, Rose, your hair's
wild straw splash, silk spools
for your ears. But where white
spouts out, spills on your brow
to clear eyepools, wheel shafts
of light, Rose, you are Blue.

[IsiNYC]

"THE RAVEN" by Edgar Allan Poe

Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore,
While I nodded, nearly napping, suddenly there came a tapping,
As of someone gently rapping, rapping at my chamber door.
" 'Tis some visitor," I muttered, "tapping at my chamber door;
Only this, and nothing more."


Ah, distinctly I remember, it was in the bleak December,
And each separate dying ember wrought its ghost upon the floor.
Eagerly I wished the morrow; vainly I had sought to borrow
From my books surcease of sorrow, sorrow for the lost Lenore,.
For the rare and radiant maiden whom the angels name Lenore,
Nameless here forevermore.


And the silken sad uncertain rustling of each purple curtain
Thrilled me---filled me with fantastic terrors never felt before;
So that now, to still the beating of my heart, I stood repeating,
" 'Tis some visitor entreating entrance at my chamber door,
Some late visitor entreating entrance at my chamber door.
This it is, and nothing more."


Presently my soul grew stronger; hesitating then no longer,
"Sir," said I, "or madam, truly your forgiveness I implore;
But the fact is, I was napping, and so gently you came rapping,
And so faintly you came tapping, tapping at my chamber door,
That I scarce was sure I heard you." Here I opened wide the door;---
Darkness there, and nothing more.


Deep into the darkness peering, long I stood there, wondering, fearing
Doubting, dreaming dreams no mortals ever dared to dream before;
But the silence was unbroken, and the stillness gave no token,
And the only word there spoken was the whispered word,
Lenore?, This I whispered, and an echo murmured back the word,
"Lenore!" Merely this, and nothing more.


Back into the chamber turning, all my soul within me burning,
Soon again I heard a tapping, something louder than before,
"Surely," said I, "surely, that is something at my window lattice.
Let me see, then, what thereat is, and this mystery explore.
Let my heart be still a moment, and this mystery explore.
" 'Tis the wind, and nothing more."


Open here I flung the shutter, when, with many a flirt and flutter,
In there stepped a stately raven, of the saintly days of yore.
Not the least obeisance made he; not a minute stopped or stayed he;
But with mien of lord or lady, perched above my chamber door.
Perched upon a bust of Pallas, just above my chamber door,
Perched, and sat, and nothing more.


Then this ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore,
"Though thy crest be shorn and shaven thou," I said, "art sure no craven,
Ghastly, grim, and ancient raven, wandering from the nightly shore.
Tell me what the lordly name is on the Night's Plutonian shore."
Quoth the raven, "Nevermore."


Much I marvelled this ungainly fowl to hear discourse so plainly,
Though its answer little meaning, little relevancy bore;
For we cannot help agreeing that no living human being
Ever yet was blessed with seeing bird above his chamber door,
Bird or beast upon the sculptured bust above his chamber door,
With such name as "Nevermore."


But the raven, sitting lonely on that placid bust, spoke only
That one word, as if his soul in that one word he did outpour.
Nothing further then he uttered; not a feather then he fluttered;
Till I scarcely more than muttered, "Other friends have flown before;
On the morrow he will leave me, as my hopes have flown before."
Then the bird said, "Nevermore."


Startled at the stillness broken by reply so aptly spoken,
"Doubtless," said I, "what it utters is its only stock and store,
Caught from some unhappy master, whom unmerciful disaster
Followed fast and followed faster, till his songs one burden bore,---
Till the dirges of his hope that melancholy burden bore
Of "Never---nevermore."


But the raven still beguiling all my sad soul into smiling,
Straight I wheeled a cushioned seat in front of bird, and bust and door;
Then, upon the velvet sinking, I betook myself to linking
Fancy unto fancy, thinking what this ominous bird of yore --
What this grim, ungainly, ghastly, gaunt and ominous bird of yore
Meant in croaking "Nevermore."

Thus I sat engaged in guessing, but no syllable expressing
To the fowl, whose fiery eyes now burned into my bosom's core;
This and more I sat divining, with my head at ease reclining
On the cushion's velvet lining that the lamplight gloated o'er,
But whose velvet violet lining with the lamplight gloating o'er
She shall press, ah, nevermore!


Then, methought, the air grew denser, perfumed from an unseen censer
Swung by seraphim whose footfalls tinkled on the tufted floor.
"Wretch," I cried, "thy God hath lent thee -- by these angels he hath
Sent thee respite---respite and nepenthe from thy memories of Lenore!
Quaff, O quaff this kind nepenthe, and forget this lost Lenore!"
Quoth the raven, "Nevermore!"


"Prophet!" said I, "thing of evil!--prophet still, if bird or devil!
Whether tempter sent, or whether tempest tossed thee here ashore,
Desolate, yet all undaunted, on this desert land enchanted--
On this home by horror haunted--tell me truly, I implore:
Is there--is there balm in Gilead?--tell me--tell me I implore!"
Quoth the raven, "Nevermore."


"Prophet!" said I, "thing of evil--prophet still, if bird or devil!
By that heaven that bends above us--by that God we both adore--
Tell this soul with sorrow laden, if, within the distant Aidenn,
It shall clasp a sainted maiden, whom the angels name Lenore---
Clasp a rare and radiant maiden, whom the angels name Lenore?
Quoth the raven, "Nevermore."


"Be that word our sign of parting, bird or fiend!" I shrieked, upstarting--
"Get thee back into the tempest and the Night's Plutonian shore!
Leave no black plume as a token of that lie thy soul hath spoken!
Leave my loneliness unbroken! -- quit the bust above my door!
Take thy beak from out my heart, and take thy form from off my door!"
Quoth the raven, "Nevermore."


And the raven, never flitting, still is sitting, still is sitting
On the pallid bust of Pallas just above my chamber door;
And his eyes have all the seeming of a demon's that is dreaming.
And the lamplight o'er him streaming throws his shadow on the floor;
And my soul from out that shadow that lies floating on the floor
Shall be lifted---nevermore!

[Cyberion]

Every so often
Life slumps to the floor.
Life crawls through a door
Every so often.
Not thinking. Not knowing.

[ujku 80]

"Nga jeta te ngopur e te lodhur,
Nga shpresa e frika te cliruar,
Me lutje te shkurter falenderojme
Perendite, kushdo e kudo qofshin,
Qe jeta nuk vazhdon pergjithmone,
Qe i vdekuri nuk ngjallet me kurre,
Qe edhe lumi me i vogel ne fund
Diku ne det shkon e prehet."

nga Martin Iden

[ujku 80]

Deti eshti thelle dhe i qete
Ne gjirin e tij c'do gje fle
Edhe nje hap dhe gjithcka mer fund
Nje hap, pak shkumbe dhe tjeter
asgje.

nga Martin Iden