no! se burimet s'kane fund, qe nga ato amatore, ne ato akademike, e me tej me ato kreative. Ku duhet te bazohemi per vertetesine e dickaje? Sigurisht tek vetja, por pasi ti kesh lexuar te gjitha.
.horror has roots in early silent period and existed as a literary and theatrical genre long before the invention of cinema ..using distorted sets of composition, German expressionists created hauntingly bizarre worlds, such as that in F.W. Murnaus vampire classic Nosferatu (1922) In the 1930s, Universal Pictures gave the cinema its classic monsters: Frankenstein (1931); Dracula (1931); The Mummy (1932); The Wolf Man (1941); Critic Robin Wood defines the basic narrative situation in horror films as one whereby normality is threatened by the monster ..Aside from the obvious physical danger it typically poses to ordinary, normal characters in the film, the monster poses a larger and more profound threat to the classification systems that define reality and on which culture and society rest. Whether a vampire, a mummy, a werewolf, or a vengeful psychopath, the monster represents a confusiona violationof social categories that specify boundaries between normal and abnormal, human and animal, living and dead ..Stories in the horror genre address the fragility of human identity by showing, through the monster, the loss, the destruction, or violation of humanity . (dhe vazhdon pastaj me evolucionin e zhanerit, etj, etj, se nuk kam durim ti citoj te gjitha).
Reference:
Prince, Stephen. Movies and Meaning. 4th ed. Allyn and Beacon: 2006.
Tani me thuaj, i shikon apo s'i shikon "The Birds" ne rreshtat me lart? `cause I do!
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