Salvador Dali

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Atavistic Vestiges after the Rain, 1934, Oil on canvas, Perls Galleries, New York.

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The Ghost of Vermeer of Delft Which Can Be Used As a Table, 1934, Oil on panel, The Salvador Dalí Museum (Reynolds Morse Colection), St Petersburg, Fl, USA.

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Morning Ossification of Cypress Tree, 1934, Oil on canvas, Private Collection, Milano.

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Masochistic Instrument, 1934, Oil on canvas, Private Collection (former Countess Pecci-Blunt collection)

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Face of Mae West Which May Be Used as an Apartment, 1934-35, Gouache on newspaper, The Art Institute of Chicago, Chicago, Il.

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The City Of The Drawers, 1936, Oil on wood, Kunstsammlung Nordrhein-Westfalen, Dusseldorf.



Dalí said: “The only difference between the immortal Greece and contemporary times is Sigmund Freud, who discovered that the human body, purely platonic at the Greece epoch, nowadays is full of secret drawers that only the psychoanalysis is capable to open”.

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Metamorphosis of Narcissus, 1936-37, Oil on canvas, The Tate Gallerie, London.



Sigmund Freud once commented: “I’ve never seen such a perfect example of Spanish man before, what a fanatic!”

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Soft construction with boiled beans - Civil War premonition, Oil on canvas, The Philadelphia Museum of Art (The Louise and Walter Arensberg Collection), Philadelphia.



Dalì e perfundoi kete pikture gjashte muaj para se te fillonte lufta civile spanjolle. kur i kerkuan te shprehej se nga cila ane politike anonte, Dalì u pergjigj: "une nuk jam as hitlerian e as stalinist, une jam thjesht "dalinist".

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The burning giraffe, 1936-37, Oil on panel, Kunstmuseum Basel.



te fshehurat ne sirtare, te cilet vetem psikoanaliza eshte ne gjendje qe te hape...

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Swans Reflecting Elephants, 1937, Oil on canvas, Cavalieri Holding Co. Inc., Geneva.



shembull i perdorjes se "critical–paranoiac method"