Poems that leave lifelong impressions!

[Veshtrusja]

Te kjo teme kam deshire te postojm, jo cdo poem te bukur qe mund te kemi lexuar, por vetem ato qe kan len impresion mbi ju!

[Veshtrusja]

Matthew Arnold
1822-1888


THE BURIED LIFE

Light flows our war of mocking words, and yet,
Behold, with tears mine eyes are wet!
I feel a nameless sadness o'er me roll.
Yes, yes, we know that we can jest,
We know, we know that we can smile!
But there's a something in this breast,
To which thy light words bring no rest,
And thy gay smiles no anodyne.
Give me thy hand, and hush awhile,
And turn those limpid eyes on mine,
And let me read there, love! thy inmost soul.

Alas! is even love too weak
To unlock the heart, and let it speak?
Are even lovers powerless to reveal
To one another what indeed they feel?
I knew the mass of men conceal'd
Their thoughts, for fear that if reveal'd
They would by other men be met
With blank indifference, or with blame reproved;
I knew they lived and moved
Trick'd in disguises, alien to the rest
Of men, and alien to themselves--and yet
The same heart beats in every human breast!

But we, my love!--doth a like spell benumb
Our hearts, our voices?--must we too be dumb?

Ah! well for us, if even we,
Even for a moment, can get free
Our heart, and have our lips unchain'd;
For that which seals them hath been deep-ordain'd!

Fate, which foresaw
How frivolous a baby man would be--
By what distractions he would be possess'd,
How he would pour himself in every strife,
And well-nigh change his own identity--
That it might keep from his capricious play
His genuine self, and force him to obey
Even in his own despite his being's law,
Bade through the deep recesses of our breast
The unregarded river of our life
Pursue with indiscernible flow its way;
And that we should not see
The buried stream, and seem to be
Eddying at large in blind uncertainty,
Though driving on with it eternally.

But often, in the world's most crowded streets,
But often, in the din of strife,
There rises an unspeakable desire
After the knowledge of our buried life;
A thirst to spend our fire and restless force
In tracking out our true, original course;
A longing to inquire
Into the mystery of this heart which beats
So wild, so deep in us--to know
Whence our lives come and where they go.
And many a man in his own breast then delves,
But deep enough, alas! none ever mines.
And we have been on many thousand lines,
And we have shown, on each, spirit and power;
But hardly have we, for one little hour,
Been on our own line, have we been ourselves--
Hardly had skill to utter one of all
The nameless feelings that course through our breast,
But they course on for ever unexpress'd.
And long we try in vain to speak and act
Our hidden self, and what we say and do
Is eloquent, is well--but 'tis not true!
And then we will no more be rack'd
With inward striving, and demand
Of all the thousand nothings of the hour
Their stupefying power;
Ah yes, and they benumb us at our call!
Yet still, from time to time, vague and forlorn,
From the soul's subterranean depth upborne
As from an infinitely distant land,
Come airs, and floating echoes, and convey
A melancholy into all our day.

Only--but this is rare--
When a belov{'e}d hand is laid in ours,
When, jaded with the rush and glare
Of the interminable hours,
Our eyes can in another's eyes read clear,
When our world-deafen'd ear
Is by the tones of a loved voice caress'd--
A bolt is shot back somewhere in our breast,
And a lost pulse of feeling stirs again.
The eye sinks inward, and the heart lies plain,
And what we mean, we say, and what we would, we know.
A man becomes aware of his life's flow,
And hears its winding murmur; and he sees
The meadows where it glides, the sun, the breeze.

And there arrives a lull in the hot race
Wherein he doth for ever chase
That flying and elusive shadow, rest.
An air of coolness plays upon his face,
And an unwonted calm pervades his breast.
And then he thinks he knows
The hills where his life rose,
And the sea where it goes.

[MI CORAZON]

Te kjo teme kam deshire te postojme, jo cdo poeme te bukur qe mund te kemi lexuar, por vetem ato qe kane lene impresion mbi ju!

Nga të gjitha që kam lexuar , më impresionuesja ka qenë dhe mbetet "KORBI" i Edgar Allan Poe-s .
Jashtëzakonisht e bukur dhe mbresëlënëse .

[StormAngel]

Njera nga me te bukurat dhe me impresionantet per mua:

The Ballad of Reading Gaol by Oscar Wilde

I.


He did not wear his scarlet coat,
For blood and wine are red,
And blood and wine were on his hands
When they found him with the dead,
The poor dead woman whom he loved,
And murdered in her bed.


He walked amongst the Trial Men
In a suit of shabby grey;
A cricket cap was on his head,
And his step seemed light and gay;
But I never saw a man who looked
So wistfully at the day.


I never saw a man who looked
With such a wistful eye
Upon that little tent of blue
Which prisoners call the sky,
And at every drifting cloud that went
With sails of silver by.


I walked, with other souls in pain,
Within another ring,
And was wondering if the man had done
A great or little thing,
When a voice behind me whispered low,
"That fellows got to swing."


Dear Christ! the very prison walls
Suddenly seemed to reel,
And the sky above my head became
Like a casque of scorching steel;
And, though I was a soul in pain,
My pain I could not feel.


I only knew what hunted thought
Quickened his step, and why
He looked upon the garish day
With such a wistful eye;
The man had killed the thing he loved
And so he had to die.
___
Yet each man kills the thing he loves
By each let this be heard,
Some do it with a bitter look,
Some with a flattering word,
The coward does it with a kiss,
The brave man with a sword!


Some kill their love when they are young,
And some when they are old;
Some strangle with the hands of Lust,
Some with the hands of Gold:
The kindest use a knife, because
The dead so soon grow cold.


Some love too little, some too long,
Some sell, and others buy;
Some do the deed with many tears,
And some without a sigh:
For each man kills the thing he loves,
Yet each man does not die.
___
He does not die a death of shame
On a day of dark disgrace,
Nor have a noose about his neck,
Nor a cloth upon his face,
Nor drop feet foremost through the floor
Into an empty place

[StormAngel]

Korasonka kishte te drejte pak
Korbi eshte nje nga poezite me mahnitese te te gjithe koherave

The Raven

Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore,
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
"'Tis some visiter," I muttered, "tapping at my chamber door --
Only this, and nothing more."


Ah, distinctly I remember it was in the bleak December,
And each separate dying ember wrought its ghost upon the floor.
Eagerly I wished the morrow; -- vainly I had sought to borrow
From my books surcease of sorrow -- sorrow for the lost Lenore --
For the rare and radiant maiden whom the angels name Lenore --
Nameless here for evermore.


And the silken sad uncertain rustling of each purple curtain
Thrilled me -- filled me with fantastic terrors never felt before;
So that now, to still the beating of my heart, I stood repeating
"'Tis some visiter entreating entrance at my chamber door --
Some late visiter entreating entrance at my chamber door; --
This it is, and nothing more."


Presently my soul grew stronger; hesitating then no longer,
"Sir," said I, "or Madam, truly your forgiveness I implore;
But the fact is I was napping, and so gently you came rapping,
And so faintly you came tapping, tapping at my chamber door,
That I scarce was sure I heard you " -- here I opened wide the door; ----
Darkness there and nothing more.


Deep into that darkness peering, long I stood there wondering, fearing,
Doubting, dreaming dreams no mortal ever dared to dream before;
But the silence was unbroken, and the darkness gave no token,
And the only word there spoken was the whispered word, "Lenore!"
This I whispered, and an echo murmured back the word, "Lenore!" --
Merely this, and nothing more.


Back into the chamber turning, all my soul within me burning,
Soon I heard again a tapping somewhat louder than before.
"Surely," said I, "surely that is something at my window lattice;
Let me see, then, what thereat is, and this mystery explore --
Let my heart be still a moment and this mystery explore;--
'Tis the wind and nothing more!"

[FLOWER]

Kur te jesh merzitur shume

Ketu s’do jem do jem larguar
Ne toke I tretur, sit e tjeret
Ne kafenene e preferuar
Nuk do me shohin me kamarieret

Dhe neper rruget ku kam ecur
S’do ndjehet kola ime e thate
Mbi varrin tim do rrije I heshtur
Nje qiparis-si murg I ngrate
Po kur te jesh merzitur shume
Ne raft te librave kerkome
Atje I fshehur do jem une
Ne ndonje fjale a ndonje shkronje

Mjafton qe librin pak ta heqesh
Dhe une do zbres, do vij pas teje
Ti si dikur me mall do qeshesh
Si nje blerim pas nje rrekeje
Dhe une do zbres,
Do vij pas teje, do vij

Ketu s’do jem do jem larguar
Ne toke I tretur, sit e tjeret
Ne kafenene e preferuar
Nuk do me shohin kamarieret

Ti do trishtohesh atehere
Se s’do me kesh ne dhome te gjalle
Dhe kur ne xham te fryje ere
Do qash me eren, dale nga dale.

D. agolli

[FLOWER]

Lenesha(elegji) Federico Garcia Lorka



Si kremtar i mbushur me deshira,
Ti ecen ne mbremjen e ndritshme, te kthjellet,
Me lekuren e zeshket ku nardi vyshket
Dhe ne veshtrimet e tua klith seksi.

Te goja jote duket melankolia
E pastertise se ftohte te vdekjes.
Ne kupen dionizake te barkut tend,
Nje merimange end nje pelhure shterpe,
Qe mbulon vendin ku s’lulezuan kurre
Trendafilat e gjalle qe nga puthjet lindin.
Ne duart e bardha, ti mban lemshin e endrrave
Qe vdiqen pergjithmone, ndersa shpirtin
Ta zhurit etja per te puthura te zjarrta,
Per nje dashuri nene bashke me vegime
Te largeta djepi, per nje vater te qete
Ku ti kaltrine e ninullave do te tirrje.

Po ta prekte trupin tend dashuria e fjetur,
Ceres, do te jepte kallinjte e tu te praruar.
Si virgjeresha, ti do te kishe mundesi
Te nxirrje nga gjinjte e tu nje Udhe Qumeshti.

Ti do te vyshkesh si nje lule manjolie.
Askush s’do ta puthe trupin tend plot afshe.
Floket e tu s’do te njohin ledhatime
Qe do t’i dritheronin si tela harpe.

O grua e beshme, eben dhe jasemin,
Fryma jote ka freski lulesh qe sapo u hapen,
Afrodite me mantilje, ti me sjell ne mend
Veren e Malagas dhe kitaren.

O mjellme e zeshket qe noton ne nje liqen
Me lotuse te rritura, me vale te portokallta,
Me karafila te kuq, ku shkulma kundermon
Folete e roitura qe ti mban nen flatra,
Martire andaluze, grua e mbetur beronje,
C’jane puthjet e perflakura ti s’e di,
Puthjet e perziera me heshtje te thelle nate
Dhe me zhurmen e turbullt te ujit qe rri.
Rrathet e syve te zmadhohen perdite,
Floket e zinj pot e mbulohen me bore
Gjinjte e tu eremire po i humbasin konturet
Dhe po te kerruset shpina madheshtore.

O grua e perveluar, me pamje nene,
Shenmeri e dhimbjes qe te zemra jote
Ku sot e tutje s’mungullon asnje shprese,
Tere yjet e qiellit pa ane i mblodhe,
Ti je shembelltyre e nje Andaluzie
Qe vuan nga pasione te heshtura, te fuqishme,
Me fryme erashkash, ajo i perkund
Nen mantiljet qe mbeshtjellin gushen e hijshme
Te vashave ku ka fergellima gjaku e bore,
Te gervishura te kuqe qe lane shikimet.

Neper mjegullen e vjeshtes, ti ecen, virgjereshe,
Si Inesi, Sesilja dhe Klara e embel,
Bakante qe mund te hidhje valle
Me nje kurore lastari dhe rrushi te bere.

Pikellimi pa fund qe te rri pezull ne sy,
Na flet per jeten tende te rrenuar,
Per dekorin shkretan, per monotonine qe ndien,
Kur ne dritare sheh njerzit duke kaluar,
Kur degjon ne merzine e nje humbetire
Shiun qe bie ne rrugen e vjeter,
Ndersa nga larg, ulerima e kambanave
Vjen tek ti e mbytur, e lemeket.

Me kot e pergjon zhurimerimen e ajrit
Ku s’te zuri veshi nje serenade asnjehere.
Ti ende pret prapa xhamave te tu…
C’hidherim i thelle qe zemren tat her,
Kur ndien ne veten e lodhur, te shteruar,
Pasionin e ri te nje vajze te re!

Trupi yt do te shkoje ne varr,
I pangasheryer kurre.
Do te mbije nje albe
Mbi dheun e murme.
Nga syte e tu do te dalin karafile te kuq,
Trendafila bore te bardhe-nga gjiri yt,
Por pikellimi yt i madh do te ngjitet kah qielli,
duke eklipsuar e plagosur tere yjte.

[StormAngel]

Queen Elizabeth I (1533–1603)

[The doubt of future foes exiles my present joy]

The doubt of future foes exiles my present joy,
And wit me warns to shun such snares as threaten mine annoy;
For falsehood now doth flow, and subjects' faith doth ebb,
Which should not be if reason ruled or wisdom weaved the web.
But clouds of joys untried do cloak aspiring minds,
Which turn to rain of late repent by changed course of winds.
The top of hope supposed the root upreared shall be,
And fruitless all their grafted guile, as shortly ye shall see.
The dazzled eyes with pride, which great ambition blinds,
Shall be unsealed by worthy wights whose foresight falsehood finds.
The daughter of debate that discord aye doth sow
Shall reap no gain where former rule still peace hath taught to know.
No foreign banished wight shall anchor in this port;
Our realm brooks not seditious sects, let them elsewhere resort.
My rusty sword through rest shall first his edge employ
To poll their tops that seek such change or gape for future joy.


Dmth qe edhe mbretereshat dijne te shkruajne.:)

[oiseau en vol]

JACQUES PREVERT (1900-1977)


KJO DASHURI

Kjo dashuri
Kaq e dhunshme
Kaq e brishtë
Kaq e ngrohtë
Kaq e dëshpëruar
Kjo dashuri
E bukur si dita
Dhe e keqe si koha
Kur koha është e keqe
Kjo dashuri kaq e vërtetë
Kjo dashuri kaq e bukur
Kaq e lumtur
Kaq e gëzuar
Dhe kaq qesharake
Që dridhet nga frika si një fëmijë në terr
Dhe kaq e sigurtë
Si një burrë i qetë në mes të natës
Kjo dashuri që u bënte frikë të tjerëve
Që i bënte për të folur
Që i bënte për t'u zverdhur
Kjo dashuri e përgjuar
Sepse ne e përgjonim
E përndjekur e plagosur e shkelur e vrarë e mohuar e harruar
Sepse ne e kemi përndjekur shkelur vrarë mohuar harruar
Kjo dashuri e tërë
Kaq e gjallë akoma
Dhe plot diell
Eshtë e jotja
Eshtë e imja
Ajo që ka qenë
Kjo gjë gjithmonë të reja
Dhe që nuk ka ndryshuar
Po aq e vërtetë sa një bimë
Po aq drithëruese sa një zog
Po aq e nxehtë dhe e gjallë sa vera
Ne mundemi që të dy
Të shkojmë dhe të kthehemi
Ne mundemi të harrojmë
Dhe pastaj të flemë
Të zgjohemi vuajmë mplakemi
Të flemë akoma
Të ëndërrojmë vdekjen
Të zgjohemi buzëqeshim dhe qeshim
Dhe të rinohemi
Dashuria jonë mbetet aty
Kokëfortë si një shkëmb
E gjallë si dëshira
Mizore si kujtesa
E marrë si keqardhjet
E ngrohtë si kujtimi
E ftohtë si mermeri
E bukur si dita
E brishtë si një fëmijë
Ajo n'a shikon duke buzëqeshur
Dhe n'a flet pa thënë asgjë
Dhe unë dëgjoj duke u dridhur
Dhe thërras
Thërras për ty
Thërras për mua
Të përgjërohem
Për ty për mua dhe për të gjithë ata që duhen
Dhe që janë dashur
Po i thërras asaj
Për ty për mua dhe për të gjithë të tjerët
Që nuk i njoh
Qëndro aty
Aty ku ti je
Aty ku ti ishe dikur
Qëndro aty
Mos lëviz
Mos shko
Ne që jemi dashur
Ne të kemi harruar
Ti mos n'a harro
Ne vetëm ty të kemi mbi tokë
Mos n'a lër të kthehemi të ftohtë
Shumë më larg akoma
Dhe ska rëndësi ku
N'a jep shenjë jete
Shumë më vonë në qoshe të një druri
Në pyllin e kujtesës
E behur befas
N'a zgjat dorën neve
Dhe n'a shpëto.

[MiLaNiStE]

The wind was a torrent of darkness among the gusty trees,
The moon was a ghostly galleon tossed upon cloudy seas,
The road was a ribbon of moonlight, over the purple moor,
And the highwayman came riding- riding-riding-
The highwayman came riding, up to the old inn-door.

He'd a French cocked-hat on his forehead, a bunch of lace at his chin,
A coat of the claret velvet, and breeches of brown doe-skin;
They fitted with never a wrinkle: his boots were up to the thigh!
And he rode with a jewelled twinkle,
His pistol butts a-twinkle,
His rapier hilt a-twinkle, under the jewelled sky.

Over the cobbles he clattered and clashed in the dark inn-yard,
And he tapped with his whip on the shutters, but all was locked and barred;
He whistled a tune to the window, and who should be waiting there
But the landlord's black-eyed daughter, Bess, the landlord's daughter,
Plaiting a dark red love-knot into her long black hair.

And dark in the old inn-yard a stable-wicket creaked
Where Tim the ostler listened; his face was white and peaked;
His eyes were hollows of madness, his hair like mouldy hay,
But he loved the landlord's daughter, The landlord's red-lipped daughter,
Dumb as a dog he listened, and he heard the robber say-

"One kiss, my bonny sweetheart, I'm after a prize to-night,
But I shall be back with the yellow gold before the morning light;
Yet, if they press me sharply, and harry me through the day,
Then look for me by moonlight, Watch for me by moonlight,
I'll come to thee by moonlight, though hell should bar the way."

He rose upright in the stirrups; he scarce could reach her hand,
But she loosened her hair i' the casement! His face burnt like a brand
As the black cascade of perfume came tumbling over his breast;
And he kissed its waves in the moonlight,
(Oh, sweet black waves in the moonlight!)
Then he tugged at his rein in the moonlight, and galloped away to the West.

He did not come in the dawning; he did not come at noon;
And out o' the tawny sunset, before the rise o' the moon,
When the road was a gipsy's ribbon, looping the purple moor,
A red-coat troop came marching- Marching-marching-
King George's men came marching, up to the old inn-door.

They said no word to the landlord, they drank his ale instead,
But they gagged his daughter and bound her to the foot of her narrow bed;
Two of them knelt at her casement, with muskets at their side!
There was death at every window; And hell at one dark window;
For Bess could see, through the casement, the road that he would ride.

They had tied her up to attention, with many a sniggering jest;
They bound a musket beside her, with the barrel beneath her breast!
"Now keep good watch!" and they kissed her. She heard the dead man say-
Look for me by moonlight; Watch for me by moonlight;
I'll come to thee by moonlight, though hell should bar the way!

She twisted her hands behind her; but all the knots held good!
She writhed her hands till here fingers were wet with sweat or blood!
They stretched and strained in the darkness, and the hours crawled by like years,
Till, now, on the stroke of midnight, Cold, on the stroke of midnight,
The tip of one finger touched it! The trigger at least was hers!

The tip of one finger touched it; she strove no more for the rest!
Up, she stood up to attention, with the barrel beneath her breast,
She would not risk their hearing; she would not strive again;
For the road lay bare in the moonlight; Blank and bare in the moonlight;
And the blood of her veins in the moonlight throbbed to her love's refrain.

Trot-trot; trot-trot! Had they heard it? The horse-hoofs ringing clear;
Trot-trot, trot-trot, in the distance? Were they deaf that they did not hear?
Down the ribbon of moonlight, over the brow of the hill,
The highwayman came riding, riding, riding!
The red-coats looked to their priming! She stood up strait and still!

Trot-trot, in the frosty silence! Trot-trot, in the echoing night!
Nearer he came and nearer! Her face was like a light!
Her eyes grew wide for a moment; she drew one last deep breath,
Then her finger moved in the moonlight, Her musket shattered the moonlight,
Shattered her breast in the moonlight and warned him-with her death.

He turned; he spurred to the West; he did not know who stood Bowed,
With her head o'er the musket, drenched with her own red blood!
Not till the dawn he heard it, his face grew grey to hear
How Bess, the landlord's daughter, The landlord's black-eyed daughter,
Had watched for her love in the moonlight, and died in the darkness there.

Back,he spurred like a madman, shrieking a curse to the sky,
With the white road smoking behind him and his rapier brandished high!
Blood-red were his spurs i' the golden noon; wine-red was his velvet coat,
When they shot him down on the highway, Down like a dog on the highway,
And he lay in his blood on the highway, with a bunch of lace at his throat.

And still of a winter's night, they say, when the wind is in the trees,
When the moon is a ghostly galleon tossed upon cloudy seas,
When the road is a ribbon of moonlight over the purple moor,
A highwayman comes riding- riding-riding-
A highwayman comes riding, up to the old inn-door.

Over the cobbles he clatters and clangs in the dark inn-yard,
And he taps with his whip on the shutters, but all is locked and barred;
He whistles a tune to the window, and who should be waiting there
But the landlord's black-eyed daughter, Bess, the landlord's daughter,
Plaiting a dark red love-knot into her long black hair.

[MiLaNiStE]

Lord of my love, to whom in vassalage
Thy merit hath my duty strongly knit,
To thee I send this written embassage,
To witness duty, not to show my wit:
Duty so great, which wit so poor as mine
May make seem bare, in wanting words to show it,
But that I hope some good conceit of thine
In thy soul's thought, all naked, will bestow it;
Till whatsoever star that guides my moving
Points on me graciously with fair aspect
And puts apparel on my tatter'd loving,
To show me worthy of thy sweet respect:
Then may I dare to boast how I do love thee;
Till then not show my head where thou mayst prove me.

[s0ni]

Në mundesh

Në mundsh ta ruash arsyen, kur bota humbet fillin
e fajin ty ta hedh dhe vetes t’i besosh,
sa herë tek ti dyshojnë e s’të përfillin
por edhe dyshimet drejt t’i gjykosh
Në mundsh të rrish në pritje, nga pritja pa u lodhur,
e, kur t’urrejnë, urrejtje mos t’ushqesh,
madje, ndaj shpifjeve të rrish pa folur,
me thjeshtësi, me to pa rënë ndesh

Në mundsh t’mendosh, por jo gjer në shkatrrim,
të ëndërrosh, por jo si rob ëndërrimesh,
dhe t’i trajtosh njëlloj e pa dallim
ngadhnjim e shpartallim burim mashtrimesh
Në durofsh dot thëniet e tua të drejta
në kurthe për trutharët, kopuket që t’i kthejnë,
t’i shohësh të thyera gjërat më të shtrenjta
e prapë t’i ndërtosh me vegla që nuk vlejnë

Në mundsh fitoret që ke korrur t’i flijosh
si në kumar, në një të vetme lojë,
të rrezikosh, të humbasësh e prapë t’ia fillosh,
dhe humbjen kurrë të mos e zesh në gojë
Në i detyrofsh dot muskul, nerv e puls e zemër
të të shërbejnë edhe kur gjithçka duket e kotë,
e të qëndrosh kur s’ke asgjë më veç vullnetit,
që vetëm fjalën “Qëndro!” gjithmonë të thonë

Në mundsh të flasësh me maskarenj, por nderin tënd ta ruash
e t’ecësh përkrah mbretit pa krenari që të verbon
Nëse armiku apo miku s’të bëjnë dot të vuash,
dhe gjithkend e çmon, por veç sa meriton
Në mundsh t’i mbushësh ti minutat aq të renda
me vepra që peshojnë
dije dhe mos kij asnjë dyshim,
se jotja do të jetë Bota, me ç’ka brenda,
dhe burre (grua) do të jesh, o biri im (vajza ime) lool!

Robert Shvarc

[[xeni]]

Në mundesh

Kjo me te vertete eshte e bukur, s0ni.

Vetem do thoja diçka, qe ti e ke harruar. Autori eshte: Rudyard Kipling.

[Veshtrusja]

Le Desespoir est assis sur un banc
Jacques Prevert

Dans un square sur un banc
Il y a un homme qui vous appelle quand on passe
Il a des binocles un vieux costume gris
Il fume un petit ninas il est assis
Et il vous appelle quand on passe
Ou simplement il vous fait signe
Il ne faut pas le regarder
Il ne faut pas l'écouter
Il faut passer
Faire comme si on ne le voyait pas
Comme si on ne l'entendait pas
Il faut passer et presser le pas
Si vous le regardez
Si vous l'écoutez
Il vous fait signe et rien personne
Ne peut vous empêcher d'aller vous asseoir près de lui
Alors il vous regarde et sourit
Et vous souffrez atrocement
Et l'homme continue de sourire
Et vous souriez du même sourire
Exactement
Plus vous souriez plus vous souffrez
Atrocement
Plus vous souffrez plus vous souriez
Irrémédiablement
Et vous restez là
Assis figé
Souriant sur le banc
Des enfants jouent tout près de vous
Des passants passent
Tranquillement
Des oiseaux s'envolent
Quittant un arbre
Pour un autre
Et vous restez là
Sur le banc
Et vous savez vous savez
Que jamais plus vous ne jouerez
Comme ces enfants
Vous savez que jamais plus vous ne passerez
Tranquillement
Comme ces passants
Que jamais plus vous ne vous envolerez
Quittant un arbre pour un autre
Comme ces oiseaux.

[s0ni]

Kjo me te vertete eshte e bukur, s0ni.

Vetem do thoja diçka, qe ti e ke harruar. Autori eshte: Rudyard Kipling.

Xeni kete poem e kam lexuar ketu ne forum per here te pare, dhe nuk doja te shfletoja 100 faqe per ta gjetur lol prandaj e solla ketu sepse eshte poema me me kuptim qe kam lexuar deri tani.
Flm per autorin se as ate se dija :)

Distilled

you think that you have walked the perimeter of truth and you know its edges and depth?
you think you have words to describe it from galaxy to core, and those in one language?
that without even knowing the dimensions truth encompasses, surely more than four,
you can measure it with just one philosophy book theory creed language mind?
you think something can't be absolute because it changes with contact and time?

all this could be forgiven because you are not so important, nor I, but
when you also think your arrogance is justified necessary right
and that it even has something to do with love, then
that practice of love enslaves the world

what if you have never met truth to call it by its true name?
would that mean you should be done with measuring
and that your fingers should let go the chalk?
then where would you go to for answers?
and what would you first have to grieve?
what would you next have to question?
then who would you have to need?
who would you forgive first?
what would you be worth
to anyone?

in the silence now
where once was
fearlessness

what you
hear is
truth

By Rhonda Bogus

[StormAngel]

Do not go gentle into that good night
Dylan Thomas

Do not go gentle into that good night,
Old age should burn and rave at close of day;
Rage, rage against the dying of the light.

Though wise men at their end know dark is right,
Because their words had forked no lightning they
Do not go gentle into that good night.

Good men, the last wave by, crying how bright
Their frail deeds might have danced in a green bay,
Rage, rage against the dying of the light.

Wild men who caught and sang the sun in flight,
And learn, too late, they grieved it on its way,
Do not go gentle into that good night.

Grave men, near death, who see with blinding sight
Blind eyes could blaze like meteors and be gay,
Rage, rage against the dying of the light.

And you, my father, there on the sad height,
Curse, bless, me now with your fierce tears, I pray.
Do not go gentle into that good night.
Rage, rage against the dying of the light.