Eshte e vertete qe ka patur, ka dhe do te kete gjithmone shume anketa ne lidhje me filmat mė tė mirė (te mėdhenj, te bukur, ... ) te historise se kinemase.
Nga anketat mė serioze konsiderohet ajo e revistes britanike "Sight & Sound" qe organizohet cdo 10 vjet. Revista i kerkon, ēdo 10 vjet, 250 personaliteteve te kinematografise klasifikimin e tyre per filmat me te medhenj ne historine 100 vjeēare te kinemase. Ne 5 anketat e 50 viteve te fundit, i palėvizshem nga vendi i pare, pothuaj ne unanimitet, ... "Citizen Kane" i Orson Welles-it !
Gjithsesi, voilą klasifilimi i fundit, qe daton i 2002-shit :
1 - Citizen Kane (1941) - Orson Welles
2 - Vertigo (1958) -Alfred Hitchcock
3 - La Regle du jeu (1939) - Jean Renoir
4 - The Godfather -I, II ( 1972 & 1974) - Francis Ford Coppola
5 - Le Voyage ą Tokyo (1953) - Yasujiro Ozu
6 - 2001 : a space odyssey (1968) - Stanley Kubrick
7 - Sunrise (1927) - Friedrich-Wilhelm Murnau
8 - Battleship Potemkine (1925) - Sergei Mikhailovich Eisenstein
9 - "8 e 1/2" (1963) - Federico Fellini
10 - Singin'in the Rain (1951) - Stanley Donen et Gene Kelly
Ne klasifikimet e meparshme, si dhe ne anketat e ndryshme te revistave serioze te kinematografise, figurojne here pas here edhe filmat e meposhtem :
La nuit du chasseur (Charles Laughton, 1955)
Barry Lyndon (Stanley Kubrick, 1975)
Apocalypse Now (Francis Ford Coppola, 1979)
Casablanca (Michael Curtiz, 1942)
La dolce vita (Frederico Fellini, 1960)
The mirror (Andrei Tarkovski, 1974)
The Searchers (John Ford, 1956)
Touch of Evil (Orson Welles, 1957)
Les vacances de Monsieur Hulot (Jacques Tati, 1953)
Eyes wide shut (Stanley Kubrick, 1999)
Il Gattopardo (Luchino Visconti, 1963)
Some Like it hot (Billy Wilder, 1959)
Mort ą Venise (Luchino Visconti, 1971)
Mulholland Drive (David Lynch, 2001)
7 samouraļs (Akira Kurosawa, 1954)
Der Himmel uber Berlin (Wim Wenders, 1987)
Amarcord (Frederico Fellini, 1973)
Once upon a time in America (Sergio Leone, 1983)
The Birds (Alfred Hitchcock, 1963)
Le mépris (Jean-Luc Godard, 1963)
Fanny et Alexandre (Ingmar Bergman, 1981)
L'avventura (Michelangelo Antonioni, 1960)
Los Olvidados (Luis Bunel, 1950)
The Third man (Carol Reed, 1949)
It's a wonderful life (Frank capra, 1949)
Metropolis (Fritz Lang, 1925)
Modern times (Charlie Chaplin, 1936)
Hiroshima mon amour (Alain Resnais, 1959)
Persona (Ingmar Bergman, 1966)
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